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  <id>urn:lj:livejournal.com:atom1:paperhouse</id>
  <title>arctic studies</title>
  <subtitle>raoul</subtitle>
  <author>
    <name>raoul</name>
  </author>
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  <updated>2007-09-13T07:03:22Z</updated>
  <lj:journal username="paperhouse" type="personal"/>
  <link rel="service.feed" type="application/x.atom+xml" href="http://paperhouse.livejournal.com/data/atom" title="arctic studies"/>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:108759</id>
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    <title>blue sea</title>
    <published>2007-09-13T07:03:22Z</published>
    <updated>2007-09-13T07:03:22Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;child with a crayon&lt;br /&gt;asks   how many legs&lt;br /&gt;for the octopus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;you say&lt;br /&gt;&lt;br /&gt;as many that&lt;br /&gt;makes it beautiful.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:108394</id>
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    <title>The Matches – (revisiting k.)</title>
    <published>2007-09-07T20:12:12Z</published>
    <updated>2007-09-07T20:20:35Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;My little friend in army surplus clothing walking through &lt;br /&gt;the parking lot, pushing a wisp of blond hair out of his face.&lt;br /&gt;A walkman in the side pocket of his coat, that’s where the clips &lt;br /&gt;or the grenade may have been.  He walks towards me, he doesn’t &lt;br /&gt;change his pace or posture, he simply comes closer, head down, &lt;br /&gt;until he is already beside me.     Is someone fucking with you, kid    I say &lt;br /&gt;who is it.    He gestures vaguely around him and smiles. Tiny bees &lt;br /&gt;are building hives in his ears; that is where the buzzing sound is &lt;br /&gt;coming from. There is a girl’s name on the inside of his sleeve, a bad idea &lt;br /&gt;he cannot shake. Sit with me, we’ll make a cloud, I want to say. &lt;br /&gt;Just sit  and we’ll make a cloud that we can walk through like the &lt;br /&gt;Taj Mahal. Well, the fact is we’re in grey mall parking lot slowly &lt;br /&gt;emptying itself of cars.   We watch them follow each other &lt;br /&gt;out like lambs out an open gate. My friend takes a box of matches out &lt;br /&gt;of one of his many coat pockets. It has a bluebird on it and the bluebird &lt;br /&gt;begins to…well, nevermind the bluebird. He takes a match out of the box, &lt;br /&gt;strikes the blue tip against the rough side, cups his palm around &lt;br /&gt;the flame to protect it from the wind, brings the flame up to the &lt;br /&gt;tip of his cigarette and inhales. He uses all of his concentration for this, &lt;br /&gt;and I, use all of mine to observe my friend, who is there, who is &lt;br /&gt;really there.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:108145</id>
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    <title>drug notes</title>
    <published>2007-08-31T05:15:16Z</published>
    <updated>2007-09-02T20:32:11Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;LSD&lt;br /&gt;&lt;br /&gt;the helicopter had a twisted blade so we had to follow an unusual path through the evening sky. the pilot, grinningly insisted that the blades were completely fine and that he had made them himself from the ribs of a grey whale. He explained this to me telepathically because I couldn’t differentiate between the sound of his voice and the engine. Or the engine and my memory of scribbling in black crayon on walls in elementary school. The sky was being sliced into tiny pieces of blue paper and I thought - should I rearrange these pieces to form a self portrait? I didn’t want to but I felt it crucial that i must.  When we finally landed in a clearing in an alder grove, my knees, by their own will, bent down to meet the damp earth.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;SPEED&lt;br /&gt;&lt;br /&gt;you talked so fast so it would be hard to&lt;br /&gt;see your heart but I could see your heart &lt;br /&gt;by the very speed of it beating  your &lt;br /&gt;heart beating like a fist into the softness &lt;br /&gt;of the body around it   the heart beating &lt;br /&gt;on whatever it could find&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;COCAINE&lt;br /&gt;&lt;br /&gt;how I felt when you left the room was not worth you being in the room in the first place. let me rephrase; the desperation got into the couch, you don't know what hell i went through to get the smell out. a thinning memory of chewing sour-keys with widening eyes, scratching out bad math, offended by the sudden light of sunrise coming through the curtains. How I felt when you left, Sharon. The room filling up with smoke like in a magician’s trick. Not worth you being there in the first place. Or at least that’s what I tell myself when I open the mail and there is a postcard from you; you’re in Florida lying on a white sandy beach, dying perhaps - even though you don’t mention it - I can somehow tell by the unreal whiteness of the sand and the excessive optimism in your sentences.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;MARIJUANA&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A Guide to Birdwatching in British Columbia sits &lt;br /&gt;on your bookshelf, the dust of your skin and house &lt;br /&gt;floats through the afternoon light.   You are &lt;br /&gt;trying to explain something to me about &lt;br /&gt;chaos theory. It is all over my head like &lt;br /&gt;spinning coins, like half remembered &lt;br /&gt;music.  The ringing sound, and nerves singed &lt;br /&gt;golden, like wild grass swaying. Something&lt;br /&gt;bounds away, too fast to recognize,&lt;br /&gt;and it becomes anything, etc, beautiful, furry,&lt;br /&gt;and camouflaging itself inside my own thoughts. &lt;br /&gt;I know we don’t get much done in our lives, my friend, &lt;br /&gt;but neither does a piece of buttered toast &lt;br /&gt;sitting in a small blue plate on my lap &lt;br /&gt;and who here would &lt;br /&gt;deny its beauty?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:107574</id>
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    <title>anything flower (old)</title>
    <published>2007-08-28T07:40:46Z</published>
    <updated>2007-08-28T20:00:16Z</updated>
    <content type="html">*&lt;br /&gt;&lt;br /&gt;maybe in the dim&lt;br /&gt;twilight you over water&lt;br /&gt;the plants in your garden. &lt;br /&gt;maybe someone watches you&lt;br /&gt;from a window across the street&lt;br /&gt;thinking that boy hasn’t moved &lt;br /&gt;from that spot for 5 minutes&lt;br /&gt;now and why is he &lt;br /&gt;pouring water over that&lt;br /&gt;toy truck? maybe anything &lt;br /&gt;is a flower, and maybe time &lt;br /&gt;abandons you when you&lt;br /&gt;choose an absurd system of &lt;br /&gt;thought over it.  maybe love.&lt;br /&gt;maybe you stand there -&lt;br /&gt;not quite there - watering &lt;br /&gt;rusted toys until you &lt;br /&gt;hear distant music from an &lt;br /&gt;ice cream van or a mosquito &lt;br /&gt;bites your ankle and you come&lt;br /&gt;back to your life. maybe &lt;br /&gt;you never really come back &lt;br /&gt;into your life. maybe &lt;br /&gt;love.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:107497</id>
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    <title>run on</title>
    <published>2007-08-24T20:05:22Z</published>
    <updated>2007-08-25T23:59:11Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The sentence that runs, as if from death, exhausted and sweat-beaded, torn by blackberry thorns, bloody dust on its knees, each misspelling a shudder of breath, each comma a banana peel in a cartoon scene, how it gets up and continues through the canned laughter, ringing with all it has collected and let go of, as the old man pulling the great fish back to shore, with its guts trailing out and being eaten away by tinier fish, the ringing that continues after the meaning is unraveled and lost, the music that becomes the meaning, blessed by each space between the word, each pause and intake of breath and cursing its weak lungs, all 26 letters of its grotesque body, the trust and distrust of its map-less pathway, drunken and wholly instinctual, the sentence that runs knowing the place that it will inevitably arrive, a black spot, single poppy seed, the center of an eye, a bullet hole in brick wall, a cigarette burn in a couch, the inverse photograph of a star, the head of an ant, the sentence that arrives there, amazed that in the gathering speed of its momentum it would ever stop, in disbelief of what it once was, like the rain that doesn’t know it was once the sea, the rain that falls into the ocean at night, the last drop released, sighed out, that hits the surface and ripples outward, the sentence arriving there, back into oblivion, back to the end that had chased it so lovingly towards itself.&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:107146</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/107146.html"/>
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    <title>the heart</title>
    <published>2007-07-21T00:35:30Z</published>
    <updated>2007-07-21T00:35:30Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;it hurts in the chest where you hide it&lt;br /&gt;where it mumbles and paces and fears &lt;br /&gt;that you will be its only home.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:106981</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/106981.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=106981"/>
    <title>q&amp;a</title>
    <published>2007-04-17T00:06:45Z</published>
    <updated>2007-04-17T08:34:28Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;so, i'm 29 now (on the 15th.) I started trying to write a small note, as i often do; a bookmark for where i am in my life. but its hard to have perspective for some reason. i think some questions would help. is there anything that you would like to ask me, or know of me? especially from the strangers. now is your chance. i will answer as honestly as i can.&lt;br /&gt;&lt;br /&gt;raoul&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;(p.s. unscreened, so you can be anonymous or what have you)&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:106727</id>
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    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=106727"/>
    <title>Life Here</title>
    <published>2007-03-25T17:17:42Z</published>
    <updated>2007-03-25T17:17:42Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;the rain &lt;br /&gt;until her hair resembles &lt;br /&gt;the rain&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:106449</id>
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    <title>dust</title>
    <published>2007-03-24T21:21:58Z</published>
    <updated>2007-03-26T13:20:50Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;that darkening Wednesday evening&lt;br /&gt;learning what household dust was mostly composed of&lt;br /&gt;i brushed a finger across your window sill, rubbed two fingers together,&lt;br /&gt;had a thought, but then it was gone,&lt;br /&gt;whisked away, I imagine,&lt;br /&gt;by a kind wind &lt;br /&gt;a kind of tinted light&lt;br /&gt;that sometimes paints you&lt;br /&gt;across the inside of my eyelids&lt;br /&gt;when the inside of my eyelids are too dark and wide&lt;br /&gt;that takes away the poems &lt;br /&gt;that I sometimes thank&lt;br /&gt;for taking away the poems.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:105998</id>
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    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=105998"/>
    <title>caution street</title>
    <published>2006-12-27T19:56:02Z</published>
    <updated>2006-12-27T19:56:02Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;hey, i made a journal for my electronic music project, goodnight streetlight. i'll just be posting updates and news related to my music as well as now and then perhaps reviewing a concert or cd that i really like. its called caution st.  add if you are interested.&lt;br /&gt;&lt;br /&gt;&lt;span class='ljuser' lj:user='cautionstreet' style='white-space: nowrap;'&gt;&lt;a href='http://cautionstreet.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://cautionstreet.livejournal.com/'&gt;&lt;b&gt;cautionstreet&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:105813</id>
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    <title>winter</title>
    <published>2006-12-26T20:56:06Z</published>
    <updated>2006-12-27T00:16:36Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;the temperature drops&lt;br /&gt;below zero, the wind&lt;br /&gt;snaps a plum branch,&lt;br /&gt;and people who&lt;br /&gt;were once in love&lt;br /&gt;take each other's arm&lt;br /&gt;while walking on &lt;br /&gt;the black ice.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:105620</id>
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    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=105620"/>
    <title>Blinksville (revisited)</title>
    <published>2006-12-17T10:06:31Z</published>
    <updated>2006-12-19T07:56:10Z</updated>
    <content type="html">.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;i&gt;2.34 a.m. Far  End of Swan Road&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Officer Williams and Deputy Tate received a report of teenagers skinny dipping in Swan Lake. The youths were located at the south end of the lake and ordered to come out and put on their clothing. While writing out tickets for night-swimming, the police car's parking brake failed and the car rolled into the deep end of the lake, sinking to the bottom. Deputy Tate became very distraught, claiming that there was a young rabbit in the backseat of the car; a birthday gift for his daughter. The teenagers offered to dive in and try to retrieve the animal. After a minute one came up with a rusted telescope. Another came up with a tattered wedding dress. The last with a briefcase full of fake Rolex watches. After repeated attempts, none were able to find the rabbit. The police officers eventually told them to stop trying. Considering the unusual nature of the situation, the officers decided not to issue fines to the swimmers and sat around the fire with them instead. It was a beautiful clear night that grew long with discussions about the After-Life, God, and other similar concerns. Often there would be a lull in conversation where the only sounds would be the crackle of the embers and the soft lapping of the water and everyone would be thinking about the same small thing.&lt;br /&gt;&lt;br /&gt;.&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:105064</id>
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    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=105064"/>
    <title>Reading to the Wolves</title>
    <published>2006-10-17T19:46:56Z</published>
    <updated>2006-10-17T22:58:13Z</updated>
    <content type="html">*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The mynah bird watches&lt;br /&gt;the lightning. Wants to take&lt;br /&gt;a ribbon of it for the nest. That's&lt;br /&gt;how we build our home. We let the &lt;br /&gt;wolves in and read them to sleep. &lt;br /&gt;Scribble on the paper, she says, &lt;br /&gt;and i will tell your future. I don't &lt;br /&gt;believe her, but I don't believe&lt;br /&gt;anything, so I accept. We recycle the&lt;br /&gt;sorrow into ship-building materials.&lt;br /&gt;We design it to come apart when we&lt;br /&gt;are finally safe and content in the&lt;br /&gt;middle of the sea. Love is heartbreak, &lt;br /&gt;she says. That's how it opens. &lt;br /&gt;We go out into the dark garden and &lt;br /&gt;find a snail. Then we come in and place it&lt;br /&gt;upon a map, on the name of the town&lt;br /&gt;where we live. Tonight we'll sleep, and&lt;br /&gt;shed the excess of wood, nails, hair,&lt;br /&gt;and memory. In  the morning, we'll go.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:104124</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/104124.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=104124"/>
    <title>Sleep City</title>
    <published>2006-06-16T20:44:19Z</published>
    <updated>2006-06-16T21:08:27Z</updated>
    <content type="html">*&lt;br /&gt;&lt;br /&gt;The pharmacy is also the place where you can buy your wrenches and &lt;br /&gt;screws. The liquor store is a small airport. There is the Sweet &lt;br /&gt;Meats Night Club around the corner from the Love Letter &amp; Glass &lt;br /&gt;Recycling Depot. At the Bakery the baker puts the bread to your &lt;br /&gt;mouth and says “Life Insurance” and you are frightened but take it &lt;br /&gt;anyways, say Amen. Soap bubbles drift down Main St. from the &lt;br /&gt;bubble machine on the roof of the Funeral Home. The coffee shop &lt;br /&gt;by the docks also manufactures the powder they put in those little red &lt;br /&gt;rings for toy guns. some morning you are served the wrong drink, &lt;br /&gt;spit it out after you take a sip. The cashier apologizes, says she only &lt;br /&gt;make her mistakes in the early morning, blames her dreams, but &lt;br /&gt;she craves them by the end of the day. We all do. The Public Library &lt;br /&gt;is also an aquarium. Research for N.A.S.A. is conducted at the &lt;br /&gt;Children’s Museum of Art. You go to the Auto Collision Repairs &lt;br /&gt;and end up with a full body massage that went too far. You &lt;br /&gt;want something so bad the desire cloaks the actual thing so you &lt;br /&gt;don’t know what it is anymore. A houseplant that grows filtered &lt;br /&gt;cigarettes?  A cologne that repels ghosts? Easy to hand over &lt;br /&gt;the money, harder to believe in what you're getting. &lt;br /&gt;There you are, drained and dazed, blinking in the mall's &lt;br /&gt;bright lights. You look at the other people around you, and &lt;br /&gt;for each one, you imagine them naked and sleeping in your arms, &lt;br /&gt;in a house floating in the middle of empty space, deep in &lt;br /&gt;love, if that’s it, if that’s the thing that’s missing.&lt;br /&gt;&lt;br /&gt;*</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:103750</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/103750.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=103750"/>
    <title>The Earthquake Dream</title>
    <published>2006-06-04T21:36:37Z</published>
    <updated>2006-06-06T14:24:58Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;You save up for a summer to get scar removal treatment for your arms, working a job trimming hedges and mowing lawns in the suburbs. When you finally have enough, come autumn, you decide to do something else. You buy a secondhand guitar or a bicycle instead. You pay off some old debts. The act of remembering becomes simply remembering; unarmed, a quiet walk through an old damaged city, slowly being covered over with weeds and dust. &lt;br /&gt;&lt;br /&gt;At night, a white cat sleeps upon you, a cat whose claws were once used as the bad excuse that you mumbled when friends pointed and asked. Some night you awake from a dream with the vibrations of its purr moving through your chest. &lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:103042</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/103042.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=103042"/>
    <title>Dawn</title>
    <published>2006-05-05T21:51:52Z</published>
    <updated>2006-06-16T16:35:15Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;She gets storm-drunk with me and spills out a night that had passed&lt;br /&gt;many winters ago, a night she didn’t know she remembered until&lt;br /&gt;she’s already speaking from there. And it not so much the &lt;br /&gt;narrative – nothing much had actually happened – but the colors, &lt;br /&gt;the essence, a coughing out of a series of breaths that, somewhere &lt;br /&gt;in the arithmetic, had never been exhaled. She fumbles at first, &lt;br /&gt;tries to hide it, but the covering only reveals it further, as a &lt;br /&gt;cloud of white flour or a bed sheet thrown upon a ghost. For a few &lt;br /&gt;moments I am as uncomfortable as she is, but in time the honesty &lt;br /&gt;emits its dawn light, her voice becomes clearer, and her exposed &lt;br /&gt;palm brings nothing but my own palm to it; a response too thought-free &lt;br /&gt;and unavoidable to call kindness. I bow my head and scroll through a &lt;br /&gt;thousand animals till I am the one who she feels most safe with. I close &lt;br /&gt;my eyes and let the light push through my eyelids, let it fall upon &lt;br /&gt;my old broken mirrors, the minutia of the ramshackle basement, and &lt;br /&gt;realize it could be now me that is speaking and her listening, but &lt;br /&gt;neither of us are sure of this anymore, except we know this is a rare &lt;br /&gt;light, a light we usually sleep through, damp under the covers and&lt;br /&gt;turning, and turning, and turning away from.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:102791</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/102791.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=102791"/>
    <title>Lemon Ginger</title>
    <published>2006-04-21T19:16:37Z</published>
    <updated>2006-04-22T06:01:45Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;Friends who know simple medicine, those&lt;br /&gt;who meet you at the library with enchanted&lt;br /&gt;knowledge to see your enchanted lack thereof. &lt;br /&gt;Who can advise with the physics important to &lt;br /&gt;your imaginary architecture.  Those with sky &lt;br /&gt;blue ears who boil water for tea, who ask &lt;br /&gt;what kind, as if it matters, who recommend adding ginger, &lt;br /&gt;because it will help your labored breathing. Who tell you &lt;br /&gt;how sunlight purples the glass over time, how gravity isn't &lt;br /&gt;completely understood yet.  Who says you’re doing all right, and &lt;br /&gt;here is how you can cross the river without drowning. Who act as &lt;br /&gt;warped  mirrors; the only mirrors you can honestly find &lt;br /&gt;yourself in. Joking about death in the late evenings, who know its &lt;br /&gt;seriousness enough to be able to.  Who bring out the &lt;br /&gt;absurd creatures of their subconscious into your bedroom, &lt;br /&gt;unashamed, little paws that scurry across your lap and get lost &lt;br /&gt;inside your furniture. Who fashion a playground out of the discarded &lt;br /&gt;ammunition and debris of this world. Who have been made beautiful &lt;br /&gt;by the right amount of solitude. Who sing in the kitchen, &lt;br /&gt;pour your tea, and wait for you to catch your breath. &lt;br /&gt;And what you do for them - you take photographs of &lt;br /&gt;their hands, drink your tea, and explain your &lt;br /&gt;idea for an endless river-like aquarium.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:102401</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/102401.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=102401"/>
    <title>"journal entry"</title>
    <published>2006-04-15T18:47:38Z</published>
    <updated>2006-04-15T19:05:26Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;br /&gt;A small glimpse; I’ve been happy these days in a calm and measured way that I don’t think I’ve quite had before. Been working part-time in a pet-foods warehouse, staking bags and boxes of dog and cat food on pallets. Mentally, it is kind of like tetris which I find relaxing, and physically…it was a little hard at first but I am getting in better shape, and it feels good to be tired in that way. The annoying radio station in the warehouse plays a lot of "90’s rock" and on the anniversary of Kurt’s death they played a lot of Nirvana. I am now past his age when he died (27) and for some reason I have made that significant, in my mind. It would take a bit too long to explain. It is cold in the warehouse so I wear a couple layers of sweatshirts and I remember reading something about how kurt, when he was younger, would wear extra layers of clothing to hide his slight frame. I like the meaning of the word frame in that context. &lt;br /&gt;&lt;br /&gt;Before I got this job, and on my days off these days, I paint. I’ve been doing a series of oil paintings of concrete/wall corners with leaves, debris and other minutia collecting in them. I will show you when I have a few more done. I don’t have an easel so I lean the canvas against a television I don’t watch, and layer the floor with newspapers I hardly read.  I don’t really know much about what’s going on in the world.&lt;br /&gt;&lt;br /&gt;Heart matters: there is a girl I see who I call my kinda-girlfriend because she is in a long term relationship with another girl. they have a moderately open-relationship. So at first it was weird and a bit complicated but now I see it as the loveliest arrangement. m. is a dream, most gentle eyes, softest voice. We’re like best friends in a way too, she knows me well, in a way where I find myself feeling honest and beautiful when I’m around her. Also, as i was telling Elizabeth, she makes fun of me being a poet and loving darkness and such, so I emphasize that part sometimes to make her laugh. &lt;br /&gt;&lt;br /&gt;What else - I write, you know about that. I post less than 10 per cent of what I write. The rest is much too incomplete, in fragments, or just needs some more breathing time. sometimes I feel all of this is breathing time before I finally say something, maybe ten, twenty years from now.&lt;br /&gt;&lt;br /&gt;The city/suburb I live in is kind of ugly and unfriendly but as you know, sometimes its all about the angle of the light. &lt;br /&gt;&lt;br /&gt;28 years old today. April 15th. Birth of Da Vinci in 1452, The sinking of the titanic in 1912, and Edward Gorey spun off his mortal coil 6 years ago.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;.&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:102168</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/102168.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=102168"/>
    <title>nightingale</title>
    <published>2006-04-14T05:57:20Z</published>
    <updated>2006-04-14T17:25:17Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;she photoshops out &lt;br /&gt;a gap in her &lt;br /&gt;chipped tooth&lt;br /&gt;&lt;br /&gt;a gap that she&lt;br /&gt;can whistle &lt;br /&gt;through&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:102127</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/102127.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=102127"/>
    <title>goodnight streetlight</title>
    <published>2006-04-11T04:51:09Z</published>
    <updated>2006-04-11T05:20:47Z</updated>
    <content type="html">&lt;center&gt;&lt;br /&gt;&lt;a href="http://www.goodnightstreetlight.com"&gt;&lt;img src="http://www.fireflyoffice.org/goodnight/suburbs3.gif"&gt;&lt;br /&gt;&lt;br /&gt;goodnight streetlight . com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;for those who are interested, my musical act goodnight streetlight&lt;br /&gt;has a new website. it has a bunch of new stuff, however, it doesn't &lt;br /&gt;have my new soon-to-be-released album "the curfew bell" yet. &lt;br /&gt;info about that will be there soon.&lt;br /&gt;&lt;br /&gt;let me know if you find any broken links, errors etc. &lt;br /&gt;&lt;br /&gt;xo&lt;br /&gt;&lt;br /&gt;raoul&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;p.s. while i'm here i may as well link my myshame, i mean, &lt;a href="http://myspace.com/goodnightstreetlight"&gt;myspace.&lt;/a&gt;&lt;/center&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:101773</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/101773.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=101773"/>
    <title>Fade In</title>
    <published>2006-04-09T19:17:51Z</published>
    <updated>2006-11-18T01:27:21Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;Last autumn, fog loomed for a week in my city, all &lt;br /&gt;harsh edges softened, pale lights worked their way &lt;br /&gt;through milky air.  People and objects only existed &lt;br /&gt;as I neared them, ceased to exist as their distance grew. &lt;br /&gt;Could barely make out the huge red banner on the &lt;br /&gt;side of the mall, facing the parking lot, that said &lt;i&gt;Bait Cars are &lt;br /&gt;Everywhere&lt;/i&gt;. There were small rains underneath each &lt;br /&gt;sidewalk tree from the moisture collecting on the leaves &lt;br /&gt;and branches. When I was young, this is what I thought fog was: &lt;br /&gt;clouds heavy with rain that didn’t let the droplets fall, but &lt;br /&gt;instead sunk down to the earth with the weight. That’s what &lt;br /&gt;I thought I was walking through.&lt;br /&gt;&lt;br /&gt;One of those half-blind evenings I heard Mazzy Star’s &lt;i&gt;Fade Into You&lt;/i&gt; &lt;br /&gt;playing on a large speaker system out the window of a grimy &lt;br /&gt;pawn shop.  The sound entered the street, found little that resembled &lt;br /&gt;it besides the mist, but decided to stay. Everyone went about &lt;br /&gt;their business as usual. Stray kids in frayed hoods palmed &lt;br /&gt;money, small white rocks. Blonde girls, stumbling, spilling out &lt;br /&gt;of their little sister’s clothes. A Jehovah’s Witness in a suit &lt;br /&gt;holding copies of &lt;i&gt;The Watchtower,&lt;/i&gt; trying so hard to stand &lt;br /&gt;in good posture for his Lord. Everyone nervous about &lt;br /&gt;each other’s eyes. &lt;br /&gt;&lt;br /&gt;I remembered the song being one of the few that I looked forward&lt;br /&gt;to coming on the easy-listening radio station at the Dairy Queen &lt;br /&gt;I worked at when I was younger, sweeping the floors near the end of &lt;br /&gt;the night. I mentioned it to no one at the time. A weakness for &lt;br /&gt;cinema had it playing in my head whenever I thought about her, &lt;br /&gt;then her…and then her. It played in my head those bus trips and walks &lt;br /&gt;back from loud parties. Walking, because I didn’t have a car, still don’t &lt;br /&gt;have a car, nothing for anyone to break into. Ghost-voiced, &lt;br /&gt;then as now, &lt;i&gt;I think its strange you never knew.&lt;/i&gt; &lt;br /&gt;&lt;br /&gt;The sound entered the street, found little of resemblance, &lt;br /&gt;decided to stay. I had to lean against something until &lt;br /&gt;it was over. Chose a hard grey wall, tested it first. &lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:101481</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/101481.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=101481"/>
    <title>light pollution</title>
    <published>2006-04-02T01:08:26Z</published>
    <updated>2006-04-03T17:58:53Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;Murmuring the little eggs of a sentence&lt;br /&gt;don’t know why or to whom. There, some&lt;br /&gt;that consider your tiny keychain beam&lt;br /&gt;light pollution, say keep your sensitive eyes &lt;br /&gt;drawn open in expectation of impossible &lt;br /&gt;vehicles descending from the dark firmament.&lt;br /&gt;Eyelashes like trees circling the lake, moonlit, fishhooks&lt;br /&gt;in the beds of sediments. Gravity-defying and &lt;br /&gt;waterwalking are not the holy instances. Our weakness &lt;br /&gt;for circus magic will be slight ruin to our hearts. &lt;br /&gt;Saw loved ones grasping carefully positioned glow-in-the-dark &lt;br /&gt;straws. I bare my teeth at the UFOs. Joan, your negotiation&lt;br /&gt;with the universe troubles me. If love is evacuated in times of &lt;br /&gt;trauma, and the absence blessed, it can return. But if &lt;br /&gt;replaced by unsightly sculpture - not so easy.  A vacuuming &lt;br /&gt;in the hallways outside your room, warmth spreading through &lt;br /&gt;your whirring car in the morning frost, nightmare sediments &lt;br /&gt;coaxed out the corner of your eyes. Dome of the sky an &lt;br /&gt;upside down bowl of air. Offering, offering, and the silence &lt;br /&gt;that spurns you. Halfway through the chaotic stream-of-consciousness &lt;br /&gt;exercise, I just wanted to write the phrase &lt;i&gt;I love you&lt;/i&gt; don’t know &lt;br /&gt;why or to whom. Wonder how many, in the throes of an &lt;br /&gt;unexpected death, car accident or heart-attack, have &lt;br /&gt;touched the side of a policeman’s or ambulance attendant’s &lt;br /&gt;face with those words? - Random, and I am sorry. If I were &lt;br /&gt;to break the stanza anywhere here I will lose everything. &lt;br /&gt;Dust in shafts of light, plastic dinosaurs in the church’s &lt;br /&gt;sound-proof baby room, the tremble in the minor chords.  &lt;br /&gt;Finding this position of reverence, despite disbelief.  You have no &lt;br /&gt;hands in the firmament, let alone paper and pen, so, the &lt;br /&gt;murmuring, the coughing fit that shapes you into a fetus, that &lt;br /&gt;fills your slow descent, so, &lt;i&gt;I love you&lt;/i&gt; is said to &lt;br /&gt;simple weak air, the desperately-inhaled, &lt;br /&gt;mournfully exhaled, last of it.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:100525</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/100525.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=100525"/>
    <title>small love scene</title>
    <published>2005-11-16T21:10:30Z</published>
    <updated>2005-11-16T21:12:17Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;he said &lt;i&gt;which hand&lt;/i&gt;&lt;br /&gt;and she touched the one that &lt;br /&gt;did not have the ring&lt;br /&gt;&lt;br /&gt;then kissed his open palm&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:100185</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/100185.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=100185"/>
    <title>the guests</title>
    <published>2005-10-06T22:19:28Z</published>
    <updated>2005-10-07T04:49:19Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;in his castle&lt;br /&gt;the king drained&lt;br /&gt;entire rooms of&lt;br /&gt;furniture and &lt;br /&gt;memory. he &lt;br /&gt;threw his &lt;br /&gt;gold and jewels &lt;br /&gt;from the balcony&lt;br /&gt;as if from a sinking &lt;br /&gt;ship. he kissed the &lt;br /&gt;foreheads of his children &lt;br /&gt;and sent them to the &lt;br /&gt;movies with enough &lt;br /&gt;money for several &lt;br /&gt;years of continuous &lt;br /&gt;viewing.&lt;br /&gt;&lt;br /&gt;when people asked what&lt;br /&gt;was happening he said &lt;br /&gt;he was making room&lt;br /&gt;for important guests&lt;br /&gt;that would soon arrive.&lt;br /&gt;‘do you think they’ll &lt;br /&gt;be able to drive&lt;br /&gt;through this blizzard?’&lt;br /&gt;he asked. they blinked&lt;br /&gt;at him, wearily. it was &lt;br /&gt;the middle of july &lt;br /&gt;and too humid&lt;br /&gt;for anyone to be&lt;br /&gt;making jokes. &lt;br /&gt;&lt;br /&gt;in time, the guest&lt;br /&gt;arrived and he &lt;br /&gt;met them &lt;br /&gt;at the door. they &lt;br /&gt;were invisible but he &lt;br /&gt;recognized them &lt;br /&gt;by the cold shivers&lt;br /&gt;and their thick &lt;br /&gt;syrupy silence.&lt;br /&gt;‘friends, friends, &lt;br /&gt;come in,’ he mumbled&lt;br /&gt;and showed them around&lt;br /&gt;his vacant castle. &lt;br /&gt;‘nice place,’ they said, &lt;br /&gt;‘are we in time &lt;br /&gt;for dinner?’&lt;br /&gt;‘yes,’ said the &lt;br /&gt;king quietly&lt;br /&gt;and climbed up&lt;br /&gt;onto the dining table&lt;br /&gt;and lay himself &lt;br /&gt;flat across it. &lt;br /&gt;&lt;br /&gt;before closing&lt;br /&gt;his eyes he &lt;br /&gt;stared up at&lt;br /&gt;the ceiling &lt;br /&gt;where a &lt;br /&gt;small dusty &lt;br /&gt;chandelier &lt;br /&gt;he had forgotten &lt;br /&gt;to dispose of &lt;br /&gt;still hung,&lt;br /&gt;refracting the last&lt;br /&gt;of the light&lt;br /&gt;that was slowly&lt;br /&gt;fading from &lt;br /&gt;the room.&lt;br /&gt;&lt;br /&gt;*&lt;/blockquote&gt;&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:paperhouse:99451</id>
    <link rel="alternate" type="text/html" href="http://paperhouse.livejournal.com/99451.html"/>
    <link rel="self" type="text/xml" href="http://paperhouse.livejournal.com/data/atom/?itemid=99451"/>
    <title>our kindness</title>
    <published>2005-09-10T00:16:40Z</published>
    <updated>2005-09-10T00:16:40Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;there she was in her &lt;br /&gt;torn mosquito netting dress&lt;br /&gt;saying I’d let them drink from me&lt;br /&gt;all the time, if it wasn’t for the poison. &lt;br /&gt;I have so much to give. I’ll even &lt;br /&gt;pour some out into a saucer. &lt;br /&gt;then she did. she placed the&lt;br /&gt;saucer in the corner of the &lt;br /&gt;room and went to sleep. &lt;br /&gt;but they ignored it &lt;br /&gt;and started clouding&lt;br /&gt;around her body. those &lt;br /&gt;horrible insects, I thought. &lt;br /&gt;I walked over to the saucer and &lt;br /&gt;got on my knees. I touched my &lt;br /&gt;tongue to it. then touched my lips. &lt;br /&gt;it was not the same. but I &lt;br /&gt;was trying. I was trying &lt;br /&gt;to be a kinder man.&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;/blockquote&gt;</content>
  </entry>
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